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<TURCHIA
OGGI> - A PARTE LA DOCUMENTAZIONE DELL'AMBASCIATA DI ITALIA AD
ANKARA E DELL'ICE DI ISTANBUL - SI AVVALE PER LE NOTIZIE E GLI
ARTICOLI RIPORTATI SUL SUO WEB, E NATURALMENTE RELATIVE ALLA TURCHIA,
DELLE NEWS
GIA' APPARSE IN ALTRI SITI O GIA' PUBBLICATE SU QUOTIDIANI E
RIVISTE. NON FA ALTRO CHE ASSEMBLARLE, NELLA CONVINZIONE CHE SIANO
DI MAGGIORE UTILITA' PER QUANTI HANNO UN QUALCHE INTERESSE PER
QUESTO PAESE. <TURCHIA OGGI>, AD
OGNI MODO, E' SEMPRE A VOSTRA DISPOSIZIONE.
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CULTURA
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INTERCULTURA:
ASSE
ITALIA-TURCHIA-TUNISIA-EGITTO
OPPORTUNITA' DI DIALOGO
Il progetto lanciato
dall'<Onlus Afs riguarda studenti sotto i 18 anni. Soggiorni
all'estero intervallati da incontri-studio. Borse di studio
Il
progetto di collaborazione e scambio interculturale tra
Italia, Tunisia, Turchia ed Egitto lanciato in estate dall'<Onlus
Intercultura-Afs> (ente morale posto sotto la tutela del
ministero degli Esteri, specializzato nel dialogo
interculturale attraverso gli scambi scolastici) proseguirà
anche nel 2008 e 2009.
Il tutto si sviluppa con l'intento di intensificare il
programma di conoscenza delle specifiche realtà
socio-culturali dei Paesi dell'area mediterranea.
L'iniziativa, rivolta agli studenti italiani under 18 che
intendono frequentare uno stage scolastico annuale nei paesi
prescelti, vede partecipe la Tunisia per il terzo anno
consecutivo e per la prima volta nel 2007, Turchia e Egitto.
"Per gli studenti italiani che hanno aderito al programma
di promozione rivolto alla conoscenza dei paesi islamici -
spiega il responsabile comunicazione e sviluppo Intercultura,
Raffaele Pirola - si presenta la precisa opportunità di
interagire e dialogare con persone di culture diverse. In
questo senso, il nostro obiettivo principale va colto |
nella
possibilità concreta di sconfiggere pregiudizi e
intolleranze".
Ecco perché il programma didattico annuale prevede l'accesso
e la frequenza nel sistema scolastico pubblico e l'accoglienza
in una famiglia, non retribuita, selezionata dai volontari
dell'organizzazione partner di Intercultura.
I soggiorni saranno intervallati da incontri-studio che
permettono ai ragazzi di discutere con i membri
dell'associazione delle esperienze e difficoltà incontrate
nella vita in famiglia e nelle scuole. In più, per facilitare
l'apprendimento della lingua araba è prevista l'organizzazione
di corsi ad hoc, che dedicano attenzione anche al
dialetto tunisino. Tutto ciò facilita l'inserimento dei
ragazzi nelle diverse comunità di riferimento.
Inoltre, la possibilità di accedere a specifiche borse di
studio, permette ai ragazzi di far fronte alle spese di
soggiorno. Le iscrizioni per aderire al nuovo bando di
concorso, previsto da <Intercultura-Afs< sono aperte
fino al 10 novembre 2007. (Denaro.it) |
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ARTISTI E MUSICISTI IN
BARCA TRA ATENE ED ISTANBUL
IL PROGETTO "THE
UNREADY" Buttate
giù le bozze
di una rivista, con un programma di lavoro focalizzato
sulla figura
dello Storyteller, così come emerge dal testo di Walter Nenjamin.
Il
progetto ha visto la costituzione di uno staff editoriale temporaneo
su di una barca, che ha viaggiato da Istanbul ad Atene dal 9 al 12
Settembre, nei giorni di opening delle rispettive biennali.
Sulla barca sono state buttate giù le pagine di una rivista, con un
programma di lavoro focalizzato sulla figura dello Storyteller, così
come emerge dall'omonimo testo di Walter Benjamin. "The Unready" -
questo il titolo dell’iniziativa - è stato il centro di duna
folta partecipazione di artisti e musicisti come Alex Cecchetti,
Christian Frosi, Stanley Brinks (ex André Herman Düne), Tris
Vonna-Michell, Susan Philipsz, Alasdair Roberts. Inoltre la barca è
stata anche il palcoscenico per conferenze, interviste, concerti,
performances e un lavoro sita specific di Susan Philipsz, "Wild
is the Wind" del 2002, con la collaborazione della <Isabella
Bortolozzi Galerie> di Berlino. Il progetto, che approderà in
seguito anche alla Biennale di Venezia, era sostenuto da <Floating
Territories>, iniziativa della <Evens Foundation>, una
fondazione filantropica privata Belga. (Exibart.com) |
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LE ANGURIE
DI
DIYARBAKIR
PRIMATI
SI DICE CHE AI TEMPI DEGLI OTTOMANI
AVESSERO RAGGIUNTO UNA CIRCONFERENZA TALE
DA DOVERLE TAGLIARE CON UNA SPADA. LA CITTA'
E' FAMOSA PERO' ANCHE PER LE SUE MURA MEDIOEVALI
LUNGHE PIU' DI 5 KM. SONO VISIBILI DAL CIELO
Thirstily sucking up the waters of the mighty Dicle (Tigris),
which flows past the city in long, lazy loops, and fertilized
with the droppings of countless pigeons, Diyarbakır’s
watermelons achieve a prodigious size. Indeed in Ottoman times
they were reputed to have reached such girth that a sword was
required to slice them. The Reverend Percy Badger, en route to
proselytize amongst the Nestorian Christians of Hakkari in the
mid-19th century, commented “fruit is abundant, especially
melons, which attain so large a size that two sometimes form a
mule-load.” Secondly, its monumental medieval walls, claimed
in some quarters to be (along with China’s Great Wall) one
of only two man-made structures visible from space.
You may be skeptical about the veracity of the above, but
Diyarbakır definitely has a vibrant “Middle Eastern”
atmosphere -- rivaled (in Turkey) only by Urfa. Situated
astride a branch of the ancient silk route, at the highest
navigable point of the Tigris, it has a strategic and
commercial importance stretching back millennia. The Hurrians,
Assyrians, Urartians, Persians and Alexander the Great’s
Macedonians were all here, though the origins of today’s
city date back to the Roman era. Legionary troops, campaigning
on the eastern frontier of their vast empire, built a fort as
protection against their arch rivals, the (Persian) Parthians.
The classic layout of this fort, with its outer walls
punctured by gates to the north, south, east and west and
internal grid-plan streets, has been retained to this day --
making exploration of the warren of cobbled lanes “within
the walls” surprisingly easy.
The best place to begin your wanderings is the section of
city wall just to the west of the southern entrance to
Diyarbakır, the Mardin Gate. From the parapet you can see
the brown and sluggish river Tigris below and to the south,
wending its way along a green, fertile valley. To the north an
entirely different vista unfurls -- the dense mass of
buildings -- houses, markets, shops, mosques and churches that
make up old Diyarbakır.
There’s no need to walk the entire five-and-a-half
kilometer circumference of the city walls (theoretically
possible bar for three short sections), but it is well worth
heading west to the western (Urfa) gate. En route you’ll
pass the imposing Yedi Kardeş Burcu (Tower of the Seven
Brothers) and the Melikşah Burcu, with their flowing
Arabic inscriptions, and carved reliefs of eagles and lions.
The black basalt walls were originally built in the early
Byzantine period, but have been rebuilt many times over the
centuries. Most of what remains today dates back to the
city’s conquest by the Arabs (Diyarbakır actually means
“Place of the tribe of Bakir”) and, later, the Artukid
Turcomans and Seljuk Turks.
Diyarbakır was once a very cosmopolitan city, with
Muslim Turks and Kurds living harmoniously within the security
of its somber black walls with Christian Armenians, Syrian
Orthodox, Greeks and Nestorians. From the Urfa Gate, a short
stroll east leads to the Meryemana Kilisesi (Church of the
Virgin Mary). According to the priest, this Syrian Orthodox
church is built on the site of a sun-worshippers’ temple.
Dressed in somber black robes, he will show you around the
recently restored church, with its beautiful brick dome and
gilt altars. The church is one of the earliest in Turkey,
dating back to the third century, but underwent a major
rebuild in the 18th century. Visit on a Sunday morning and
join in a service alongside the city’s remaining Syrian
Orthodox community. The ritual dates back to the fifth century
and the language of the liturgy, Syriac, is a successor to
Aramaic, the language spoken by Jesus.
A 10 minute walk east brings you to Gazi Caddesi (the
kilometer long, straight street bisecting the old town from
north to south. Here a new white on brown sign (clear evidence
of Diyarbakır’s renewed confidence in its
multi-cultural heritage) points to your next destination, the
Chaldean Church of St. Peter, down a narrow cobbled alley. A
Catholic offshoot of the ancient Nestorian (or, more properly,
Assyrian Church of the East), the Chaldean faith clings on in
Diyarbakır. The friendly caretaker will proudly show you
around the cavernous interior of the church (dating back to
the 17th century), with its white-washed walls, exposed-beam
ceiling and sturdy arches.
A little further along the same alley is the Armenian
church of St. Gregory. Currently locked up, the authorities
are pondering what to do with this now abandoned, roofless
19th century church. With its unusual transverse nave and
soaring black basalt arches (relieved by some fine white
limestone inlay work) it is worthy of restoration. The
friendly family whose house backs onto the church is happy to
show sightseers around.
Diyarbakır’s Islamic heritage is even more
impressive than its Christian. En route back to the main
street, pause to admire the Dört Ayaklı Minare (Four
legged Minaret), raised above street level on four man-high
columns (the “feet”). The 16th century mosque with which
it is associated (the Kasım Paşa Camii) is a classic
“dome over rectangle” Ottoman mosque. Local lore has it
that if you walk seven times around the minaret your wishes
will be granted -- but be warned. You’ll have to endure the
incredulous stares of the industrious, grease-stained
metalworkers shaping security grills in the workshops opposite!
Back on Gazi Paşa Caddesi, turn right for the Ulu
Camii, Diyarbakır’s largest mosque, which holds a
special place in Turkish history. Built in 1091-2, it is the
earliest Seljuk mosque in Anatolia. Its design, though, owes
more to the Arabs, and is based on the great Umayyad mosque in
Damascus. Many of the columns and delicately carved capitals
and friezes used in the construction of the courtyard walls
were taken from earlier, late-Roman buildings. The massive
interior, with row after row of white-painted stone arches, is
perfectly proportioned and austerely beautiful. Further up the
same street, the Nebi Camii (Mosque of the Prophet) was built
in the 16th century, when Diyarbakır was controlled by
the Turcoman Akkoyunlu dynasty. Its attractiveness derives
from the contrasting bands of white limestone and black basalt
used in its construction.
More than any individual site, Diyarbakır’s real
attraction lies in its general atmosphere. The narrow cobbled
alleys, doors open onto the courtyards of inward looking,
“Arab” type stone-built houses. Peppers and eggplants,
drying “village-style” on lengths of string draped across
south-facing walls. Vendors on street corners with buckets of
live fish recently hauled out of the Tigris, the swathes of
plaited ogru and slices of dil (tongue) cheeses laid-out in
the bustling cheese bazaar. The pigeons are tumbling and
swifts wheeling above the imposing silhouette of the city
walls against the pink sunset sky. The tranquility is to be
found in the venerable courtyards of the city’s mosques and
churches. These are the things which will entice you, time
after time, to wander through Diyarbakır’s labyrinthine
alleys.
Diyarbakır has not earned its sobriquet “the
black” for nothing. Its frontier position has meant it has
changed hands, often bloodily, many times in its history. The
black basalt from which the old buildings and walls are
constructed can be forbidding -- especially on a miserable
winter’s day. In more recent times, the city has acquired
notoriety as the fulcrum of Turkey’s “southeastern problem.”
But all this is changing -- fast. The slum areas around the
city walls have been cleared and replaced with parkland, once
dilapidated historical buildings are being restored to their
former glory and its political problems being openly discussed.
There is a buzz, a vibrancy, a new-found optimism to Diyarbakır
which you can only appreciate by coming and walking down its
ancient streets.
You don’t have to “rough it” to visit Diyarbakır.
There are five star hotels, a “boutique” hotel in a
beautifully converted han and several friendly and comfortable
two and three-star options around the Harput Gate. Even better,
the city has one of the country’s most unusual (and best)
restaurants. Selim Amca’s (Uncle Selim’s) is a Diyarbakır
institution, with a 50-year pedigree. There’s little choice
on the menu, but the local specialty of kaburga (succulent
lamb ribs stuffed with delicately spiced rice) is so delicious
you don’t need a menu. Equally mouth-watering are the içli
köfte (meatballs in bulgur wheat). Usually fried, here they
are boiled to tender perfection. The dessert, ırmık
tatlısı, often a bland mound of semolina, is a
buttery, melt in your mouth delight.
September and October are (along with mid-April to mid-June)
the best months to head out east to this bustling city on the
Tigris. Nearby Mardin, now a well-established tourist
destination, is being gentrified to the point of primness --
so visit Diyarbakır soon -- before it loses the rawness
and vitality which make it the place it is right Now. (Zaman) |
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Fa
parte di un progetto
pilota al quale sta lavorando il prof. Guzden
Varinlioglu con il supporto di <Tubitak>
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UN
PARCO
SOTTOMARINO
(VIRTUALE) |
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Una
delle zone più
belle
del Mediterraneo.
I
vantaggi
per il turismo. |
The
Turkey Underwater Culture Heritage Virtual Museum has been
established in the city of Kas in Antalya and is expected to boost
diving tourism. The underwater museum is part of the Kas Archeopark
pilot project and is directed by the Underwater Research Association
and Baskent University Culture and Art Research Center. "Firstly
an underwater culture inventory will be prepared in Kas and a
database will be compiled," head of the project Professor
Guzden Varinlioglu said. "City ruins, sunken ships and planes
will be displayed underwater. A camera system will be planted inside
the replica made last year of the sunken 3,300-year-old ship
Uluburun. All videos will be published on the Internet, and the
museum will be open to online visitors," said Varinlioglu, and
added, "The project supported by the Scientific and
Technological Research Council of Turkey (Tubitak) and the Middle
East Technical University (Odtu) Exploration Center will last for 18
months." "Diving is one of the important parts of culture
tourism," Kas Mayor Halil Kocaer said, adding, 'there are about
50,000 divers in 13 diving schools, and I believe that this number
will double after the project is completed'', Turkish daily news
reported. (Denaro.it)
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